Mix and master your music easily with complete flexibility.

studiomixes.io is a clear, transparent, all-in-one platform to help you mix and master your music wherever you are.

I'm human. No robot, no preset, no algorithm. My equipment is analog. And my performance is constantly challenged by your own requirements. So you remain unique.

I've noticed that too many bands are under stress when they start a new project. They have to find the best person, negotiate without being duped, try to understand the work that's been done, the work that remains to be done, all the while fearing that they won't get the result they're looking for... But I know it's not their fault. Services offered by traditional studios require considerable resources to sound as good as the best-known references today. Access is particularly hermetic, production steps are incomprehensible to novices, studio time required is very expensive, and results are too random when you can't afford the services of a specialized sound engineers.

To the problems of research and trust, studiomixes.io offers visibility for its work with a daily presence on social networks.

When it comes to choosing, studiomixes. io offers the specialization of mixing and mastering rock, punk and metal music. I don't do anything else.

When it comes to budgeting, studiomixes.io offers an “à la carte” choice with public rates that are not "à la tête du client".

When it comes to availability, studiomixes.io offers responsiveness, with a pre-determined deadline based on a date of your choice.

When it comes to keeping track of your project, studiomixes.io offers daily communication, before and during the production process, off-line or live, with a centralized repository for your revisions and production files.

Simply because recording a project is a skill in its own right. It deserves the full attention and concentration of the sound engineer in charge. It requires days, even weeks, if not months of preparation and dedication. Asking the same sound engineer to move on to mixing and mastering can be counter-productive, because of the lack of perspective he or she will have.

My social networks are full of well-known examples proving that whoever is recording you is not the best person to finalize your music.

It's to give projects every chance that I specialize in mixing and mastering. A good mix will never save a bad song, but a bad mix can completely ruin a good song.

Because it allows you to control the sound and coherence of your project from start to finish. That's how I get the best results. You keep a single point of contact who is 100% committed to understanding and comprehending the overall vision of the production.

To get the best possible result from your project, I've chosen to focus all my energy and skills on mixing and mastering only. So I don't do any arranging, composing or directing.

However, for best results, post-production of recordings (track cleaning, rhythmic editing, vocal pitch correction, reamping, etc.) can be carried out by me by selecting the appropriate options. But usually, this is part of the job of the studio recording you.

Finally, my performance also comes from the fact that I only work on what I like to listen to on a daily basis. So I don't accept any project that isn't linked to rock, punk or metal.

I've put 4 safeguards in place to guarantee your satisfaction:

1. A live pre-production session is held before mixing or mastering begins to analyze your music, discuss possible ways of reinforcing or improving it, validate together the next steps, technical organization and communication, define the project's artistic direction, its history, your vision, your expectations, understanding the overall dynamic and the challenges of each song.

2. Every day around 6 p.m., I send you the studio quality files of the day's work. By 9 a.m. the next day, you have the opportunity to consult with your band, and identify and pass on any revisions you wish to make together. Based on these remarks, each studio session begins with a checklist of your corrections.

3. On the last day of production, a live review session is held to make any final corrections and validate the mixes or masters.

4. If that's not enough, you can always ask for as many revisions as you like. My one and only aim is to make every mix and every master the best it can be, no matter how much time I have to spend on it. The result always comes first.

Your session cost is 100% refundable if rescheduled or cancelled five (5) or more business days before the date specified for sending the files (in the calculator and booking form). If this is the case, you can request a refund simply by sending me a message in the chat room on this website.